So I've packed on a few pounds since I've been back to PhD school (as most grad students do). And, you know, I've started working out more in response (at least as much as my schedule will allow), and cutting down on my sugar intake. I've even a-times flirted with calorie counting, as some of my friends already do; yet anytime I seriously consider it, I recall that every other time throughout my adulthood when I've lost weight--in Puerto Rico, in China, in Mexico--it was never through careful and conscientious dieting, but always a natural side-effect of living the way I was living.
Part of it, I'm sure, is that living abroad, I walked a lot more, for example, and the local food was usually healthier. I was also just happier to be traveling and having adventures, I think, so there was far less unconscious stress-eating to fill up some void in my life; I was where I actually wanted to be, doing what I actually wanted to do, in other words, instead of what I'd been told I should be wanting or doing, so there was far less need to expend energy convincing myself otherwise. That is, my weight was its healthiest precisely during those exciting times in my life when I was thinking about it least. Health, I've come to suspect, is far less a matter of self-management than it of lifestyle.
I was reminded of this pet theory of mine last week, when I revisited the island of Puerto Rico for the first time in too long. I went with my girlfriend, and what was both of our surprises but that, well, we were hardly ever hungry! Like, we were seriously eating only once a day! And not because we were short on cash or budgeting or anything, but because we honestly weren't that hungry! And our meals weren't even that big--a couple pinchos, maybe splitting a pina colada. We were eating only when we needed, and stopped when we were full. It was a revelation of sort.
Who knows, maybe it was just because, lounging all day at the beach, one doesn't expend all that many calories. But I suspect that something more profound was going on here: we were where we actually wanted to be. We were actually enjoying our lives for a change. We were actually relaxing. This need to consume ginormous calorie intakes in order to prove to ourselves our existence and self-worth (ironically) simply was non-existant. I further stand by this theory because I've found that, now that I'm back in Iowa City, my appetite has returned.
Sometimes it helps to listen to your body--and if you're body is telling you to eat more and more, that possibly is a sign that all is not right with your life. That seems to make sense: in times of famine or war or other catastrophes, your body perhaps signals to you to consume as many extraneous calories as possible, so as to be able to navigate the coming troubles. Large appetites, then, are perhaps a sign that your body recognizes that something is seriously wrong.
Now, in modern America, we don't have nearly the same sorts of existential crises going on--but our bodies can still tell when something is wrong! And perhaps they are no longer what you expect: having a well-paying job seems like a great thing to have, particularly in this economy--except when it's a job you don't enjoy, or one that corrodes your soul, no matter how you try to convince yourself. So you're body instinctively boosts the appetite, to compensate. Maybe you live in a geographic area that is considered very prestigious or important, so everyone keeps telling you, and so you keep reminding yourself--but your body is not fooled, and thus before you know it you're calorie counting to try and off-set your expanding appetite.
So maybe if you find yourself packing on the pounds and gaining weight, the real take-away here is that it's not your mere eating habits or exercise habits that need to change, no--it's that your entire lifestyle needs to change! Your soul inhabits your body, the two are not separated; so if your soul feels empty and aches out for something more, your body will respond in kind. This sort of drastic change requires more than mere dieting--this perhaps means changing careers, or moving cross-country--or cross-planetary--or moving entire income brackets, or fundamentally altering your entire life philosophy to something the rest of society thinks is bonkers. But it also just might be worth it--far more than your weight is at stake here.
Friday, March 27, 2015
Tuesday, March 24, 2015
Star Trek: Deep Space Nine primer
Star Trek: Deep Space Nine was arguably at least as good a show as TNG--it certainly found its footing much faster than the latter--yet for whatever reasons doesn't get quite the same level of love. Possibly that has to do with its stationary status--it literally takes place on a space station, which involves a whole lot less "boldly going forth" and a whole lot more "crazy things coming to you," which, while still rousing, mayhaps does not inspire quite the same awe and romance.
Being stationary also means that you can't just fly away from your problems--no more Kirk punching something or Picard speechifying, them warping away with warm fuzzies in your belly--on DS9, everyone must deal with the consequences of their actions in future episodes (such becomes a recurring trope on the show, in fact). Here, you don't have to wait 15 years and a movie sequel for Khan to come back for vengeance as all your past mistakes at last catch up with you--on DS9, you sometimes only have to wait half-a-season. On DS9, the relentless optimism of the Star Trek universe and purported benevolence of the Federation is really run through the wringer, which I suppose could be off-putting to some fans of the franchise's utopic vision.
Yet none of that takes away from the quality of the acting, the sharpness of the writing, and the compelling story lines. This was a show distressingly ahead of its time in how it portrayed the psychological tole of occupation, colonization, and prolonged warfare; of the difficulties in keeping your faith between the fundamentalists on one side and the skeptics on the other; of the gross compromises in national principles that are rationalized to win a war.
But really, what is probably the single greatest barrier to entry for new viewers is the fact that it was semi-serialized (one of the first shows to do so). While such is common today in the era of the Netflix binge, such was a strange new thing in the '90s. There are also stand-alone episodes galore, which can throw off your rhythm when trying to follow the larger and various arcs of the show (there's the religious Emissary arc, the Post-Bajoran-Occupation/Reconstruction Arc, the minor Mirror Universe arc, the rebel Maquis arc, and of course the master Dominion War arc). As such, to cap off my Star Trek month in honor of the late, great Leonard Nimoy, I present a list of the major arc episodes that my roommates and I identified during a DS9 Netflix binge a couple years back.
Season 1
- Emissary (Series Premier; start of the Emissary Arc, as Commander Sisko, arriving at his new assignment on DS9, meets the time-less aliens living inside the newly-discovered Wormhole to the far end of the galaxy, who are also the gods worshiped by the space-Jews--er, the Bajorans--whose brutal occupation by the fascist Cardassians has just ended)
- Past Prologue (Introduction of Garak, the enigmatic ex-Cardassian spy-cum-tailor, who will become your favorite recurring character)
- Progress (Post-Occupation arc; what happens when the rebels do now that they're finally in charge?)
- Dramatis Personae (A stand-alone thriller that nonetheless comments on the larger Post-Occupation Arc)
- Duet (Catching a war-criminal--or is he? Post-Occupation Arc)
- In the Hands of the Prophet (Science vs. religious tolerance; the Emmisary Arc. Intro of delightfully Machiavellian Kai Winn, played by Oscar winner and Nurse Ratched herself, the incomparable Louis Fletcher)
- The Homecoming (Religious extremists take control of Bajor; Post-Occupation Arc)
- The Circle (Part II of this civil war)
- The Siege (Part III and the conclusion, as the DS9 itself comes under the titular siege)
- Cardassians (Garak episode; Post-Occupation Arc)
- Necessary Evil (Flashbacks to the Occupation during a murder investigation)
- Whispers (There is a recurring trope on DS9 of "Colm Meany must suffer." This is kinda the Ur-example)
- Paradise (Friggin' hippies!)
- The Maqui Parts 1 & 2 (Settlers rights vs. Larger Geo-politics; beginning of the Maqui Arc)
- The Wire (Garak-centric episode!)
- The Crossover (First Mirror-Universe episode)
- The Jem'Hedar (Official beginning of the Dominion threat arc).
Season 3
- The Search Parts 1 & 2 (Dominion Arc; introduction of the Federation warship USS Defiant; Odo finally finds his people in the worst way possible)
- Second Skin (Was Kira actually a Cardassian secret agent?! Post-Occupation Arc)
- The Abandoned (Baby Jem'Hedar ends up on the station; Dominion Arc)
- Civil Defense (Old Cardassian security system accidentally tripped; Post-Occupation Arc)
- Defiant (Riker from TNG hijacks the Defiant; Maquis Arc)
- Past Tense Parts 1 & 2 (Time-travel episode, where crew ends up in a 2024 America plagued with class segregation between rich and poor; no relation to current America of course...)
- Heart of Stone (Dominion Arc; Odo and Kira trapped on a desolate planet)
- Destiny (Post-Occupation Arc; how much scientific validity do the Prophets have anyways?)
- Visionary (Another Colm-Meany-must-suffer)
- Through the Looking Glass (Another Mirror-Universe Arc)
- Improbable Cause (Dominion Arc; Garak episode, that ends with the Cardassian and Romulan fleets taking the Dominion threat into their own hands)
- The Die is Cast (Dominion Arc; Garak saves Odo, as the Cardassian and Romulan assault on the Dominion goes about as well as you'd expect).
- The Adversary (A Dominion Founder infiltrates the Defiant!)
- The Way of the Warrior (Dominion Arc; Worf from TNG joins the crew; the Kling-ons invade Cardassia, claiming they've been infiltrated by the Dominion; the Federation/Kling-on treaty ends; the stakes are raised)
- The Visitor (DS9's equivalent to "The Inner Light")
- Hippocratic Oath (Dominion Arc; O'Brien and Bashir clash over whether the Jem'Hedar really can be freed of their addiction)
- Indiscretion (Post-Occupation Arc; can Kira and Dukat really work together to free some prisoners from the Bree?)
- Starship Down (Defiant battles Jem'Hedar warship in a gaseous giant, submarine-style battle)
- Little Green Men (Turns out Quark was the Roswell alien all along?)
- Homefront (Dominion Arc; the problematics of the PATRIOT ACT, 5 years before 9/11)
- Paradise Lost (Sequel to Homefront; attempted coup on Earth!)
- Crossfire (Will Odo ever admit to Kira how he feels?)
- Return to Grace (Kira the former-freedom-fighter must now train former-occupier Dukat how to be a freedom-fighter against the Kling-ons)
- Shattered Mirror (More Mirror-Universe Arc)
- For The Cause (Maquis arc; is there a traitor in their midst?)
- To The Death (Dominion Arc; intro of Weyoun, a villain even more delightful than Dukat and Kai Winn!)
- Broken Link (Dominion Arc; Odo must face his own people for killing one of his own a season ago)
- Apocalypse Rising (Dominion Arc; Sisko, Worf, etc, must infiltrate Kling-on High Counsel to expose the Changeling infiltrators)
- The Ship (Dominion Arc; Sisko et al attempt to take and defend a crashed Dominion ship)
- The Assignment (Emissary Arc; Colm Meany must suffer again as his wife is possessed by a demon hell-bent on killing the wormhole aliens)
- Trials and Tribble-ations (Time-travel back to the original series!)
- Things Past (Post-Occupation Arc; kind of flips the tables on season 2's "Necessary Evil")
- For The Uniform (Maquis Arc; Sisko tracks the traitor Eddington)
- In Purgatory's Shadow (The Dominion begins its apparent invasion of the Alpha Quadrant)
- By Inferno's Light (Thrilling conclusion of the previous episode)
- Doctor Bashir, I Presume? (Dr. Bashir is not all he seems to be...)
- Ties of Blood and Water (Sequel to Second Skin)
- The Begotten (How Odo got his groove back)
- Children of Time (This one is hard, one of the best yet most brutal episodes...)
- Blaze of Glory (End of the Maquis Arc)
- In the Cards (The calm before the storm)
- Call to Arms (The Dominion/Federation War officially starts here, and lasts till the end of the series).
Season 6
- A Time to Stand (Dukat retakes DS9, while the crew fights with their stolen Jem'Hedar ship)
- Rocks and Shoals (The crew is stranded alongside hostile Jem'Hedar)
- Sons and Daughters (Worf must help his son learn combat, while Kira and Odo attempt to start a resistance movement on DS9)
- Behind the Lines (Odo's allegiances are challenges while the Dominion works to bring down the mine-field)
- Favor The Bold (The Federation begins its assault to retake DS9)
- Sacrifice of Angels (They succeed, but at great cost...)
- Resurrection (Mirror Universe!)
- Statistical Probabilities (Dr. Bashir tries to help other genetically-modified pariahs assist in the war effort)
- The Magnificent Ferengi (Dominion Arc; the title tells you everything you need to know!)
- Waltz (Sisko and Dukat crashland on a planet together; this is where the latter officially crosses the line from merely Machiavellian to straight-up evil)
- Far Beyond the Stars (What if we are all just in the imagination of a black 1950s sci-fi writer?)
- One Little Ship (Dominion arc; yes, this is the Honey I Shrunk the Kids episode, deal with it)
- Wrongs Darker Than Death or Night (Post-Occupation Arc; just how complicit was Kira's own mother?)
- Inquisition (Start of the insidious Section 39 arc)
- In The Pale Moonlight (Arguably the high-water mark of the series, maybe the franchise; just how many principles would you be willing to compromise to win a war?)
- The Reckoning (Emissary Arc; now the Prophets and the Pah'Wraiths are in open combat)
- Tears of the Prophets (Where the Dominion Arc and the Emissary Arc begin to overlap)
- Image in the Sand (Sisko loses his groove after Dax's death and the wormhole's collapse)
- Shadows and Symbols (How Sisko got his groove back and reopened the wormhole)
- Chrysalis (Sequel to "Statistical Probabilities")
- Treachery, Faith, and the Great River (Weyoun defects! Sorta)
- The Siege of AR-558 (The Red Badge of Courage episode)
- Covenant (Dukat kidnaps Kira to his doomsday cult of Pah'Wraith worshiping Bajorans!)
- The Emperor's New Cloak (Last of the Mirror Universe arc)
- Chimera (Odo has an existential crisis when he meets another [non-evil] changeling)
- Inter Arma Enim Silent Leges (Section 39 pulls Dr. Bashir back into duty)
- Penumbra (This and the next 8 episodes form an arc building up to the grand finale of the Dominion War, as the Founders suffer from a degenerative disease, Dukat turns into a Bajoran to seduce Kai Winn, and Worf and Dax are captured behind enemy lines.)
- Til Death Do Us Part (Kai Winn is seduced by Dukat and the Pah'Wraiths; Sisko marries Kassidy against the Prophets' warnings)
- Strange Bedfellows (The Bree join the Dominion, just before Worf and Dax are freed by Damar)
- The Changing Face of Evil (The Bree deal the Federation a crushing blow, the Defiant is destroyed, which is mitigated by Damar announcing his Cardassian revolt against his Dominion masters)
- When It Rains... (Irony abounds as Kira must help organize the Cardassians into an effective resistance)
- Tacking Into The Wind (Odo and Kira must hijack a Bree weapon; Worf must deal with a leadership crisis in the Klingon empire)
- Extreme Measures (End of the Section 31 arc)
- The Dogs of War (The Federation Alliance prepares for its final assault on the Dominion; meanwhile, Dukat and Kai Winn prepare to release the Pah'Wraiths)
- What You Leave Behind (The Grand Series Finale, wherein we tie up all loose ends)
Friday, March 13, 2015
Star Trek: The Next Generation Primer
A couple years ago, a buddy of mine fool-hardily jumped into Star Trek: The Next Generation on Netflix on his own, based on the strength of his love for Patrick Stewart in the old BBC I, Claudius. Needless to say, he found himself lost in a mess of season 1 awkwardness, campiness, and borderline racism. (It's a testament to the dedication of '80s-era Trekkers that they supported the show through two straight craptastic seasons before the show finally got its act together). Now, I'm a big fan of the series; but even I'll be the first to admit that although TNG's highs could be dazzlingly high, its mediocres were also be aggressively mediocre, and its lows could be...yeesh, just don't start with "Sub-Rosa!"
Fortunately he did not turn away from the series, but instead asked me to curate a list of the "actually good" episodes for him. Below is the list I slapped together for him, which did in fact result in him falling in love with the series.
Season 1
Fortunately he did not turn away from the series, but instead asked me to curate a list of the "actually good" episodes for him. Below is the list I slapped together for him, which did in fact result in him falling in love with the series.
Season 1
- Encounter at Farpoint (series premier; a bit hokey--OK, quite a bit hokey, they were still ironing out the kinks--but necessary to understand Q, the series' trickster god...not to mention the majestic series finale)
- Where No One Has Gone Before (come, let us see the edge of the Universe together!)
- Datalore (Data has an evil twin!)
- The Skin of Evil (On a completely unrelated note, this episode may help you better understand the climax to Louis Erdrich's The Round House, if you are so inclined to read it).
- Conspiracy (something's amiss at Starfleet HQ...)
- The Measure of a Man (does Data the android actually count as a real person with rights and self-determination?? Maybe.)
- Q-Who (Q introduces the Enterprise to the Borg, the unstoppable zombie-cyborg race that subjects all in its path to the same dull, gray, nightmarish conformity. They are either a stand-in for communism or globalist capitalism, or both, depending on who you ask--in any case, they are the most terrifying antagonist of the series.)
- Yesterday's Enterprise (temporal rift in the space-time continuum, and suddenly the Enterprise is a hardened warship in a losing war against the Klingons!)
- The Survivors (so why is this old couple the only survivors of a destroyed colony?)
- The Enemy (Geordi and an enemy Romulan, crash-landed on a hostile planet, must put aside their differences to work together)
- The Defector (a Romulan defects!)
- Sins of the Father (Worf defends his family honor against charges of treason)
- Best of Both Worlds Part 1 (The Borg assimilate Picard! Arguably the series high point)
- Best of Both Worlds Part 2 ("Resistance is futile, you will be assimilated...")
- Reunion (sequel to Sins of the Father; sets up for Redemption)
- Future Imperfect (Riker awakes 15 years into the future...or has he?!)
- Devil's Due (something to warm your atheist heart!)
- Brothers (Data hijacks the Enterprise without warning...and Lore reappears!)
- The Nth Degree (socially-awkward crew-member attains near god-like mind after a freak space accident [is there any other kind?])
- The Drumhead (Picard put on trial in a witch-hunt)
- Redemption I & II (Klingon civil war; concludes Worf's arch, restores family honor)
- Darmok (fascinating and nerdiest look ever at linguistics and the allusive nature of language)
- Ensign Ro (intro to my favorite--and feistiest--recurring bit-character)
- Unification I & II (Spock from original series strives for Romulan/Vulcan reunification)
- A Matter of Time (a cryptic historian visits from the future)
- Conundrum (everyone's memories are erased suddenly! what's going on??)
- Cause and Effect (the ship's caught in a time-loop! best cold open ever.)
- I, Borg (a single, lost Borg puts a sympathetic face to the enemy, complicating things)
- The Inner Light (a mysterious probe causes Picard to experience an entire lifetime in 40 minutes; you will cry, guaranteed.)
- Time's Arrow Parts I & II (Time travel, 19th-century San Francisco, space vampires, and Mark Twain aboard the Enterprise. Just go with it.)
- The Next Phase (Georgi and Ro die and become ghosts...or maybe there's something more sciency going on here??)
- Relics (Scotty from the original series saves the day!)
- Schisms (nightmares turn out to be real)
- Chain of Command I & II (especially part II! Most profound treatment of torture ever.)
- Ships in a Bottle (hologram Moriarty matches wits with Picard in uber-meta fashion)
- Tapestry (Picard dies and relives a life-changing regret; a Q episode, one of the best!)
- Frame of Mind (Riker's in an insane asylum...or is he?! [this happens to him a lot, don't it])
- Timescape (times freezes and there are Romulans and a mystery and explosions)
- Face of the Enemy (Only good Troi-centric episode; she is forced undercover aboard a Romulan warbird!)
- Descent I & II (season 6-7; last Borg and Hugh and Lore and Data-gets-emotions episodes!)
- Phantasms (Data goes nuts and hallucinatory...or is he??)
- Attached (Picard and Beverly are forced to face their feelings for each other during a jailbreak!)
- Preemptive Strike (end of the Ensign Ro arc)
- All Good Things... (The incomparable series finale, easily among the top 5 best in TV history)
Tuesday, March 10, 2015
On Puerto Rico, Voting, and Taxes
Where I was swiftly reminded of what everyone outside of Puerto Rico I've ever met ever has said when I bring up Puerto Rico's voting status: "Yeah, but they don't pay taxes, right?" And it's only just recently struck me that it is very odd that we consider that to be an acceptable trade-off: would you give up your right to vote in exchange for not having to pay taxes? Would you silence your political voice if it saved you money? I'm seriously asking, because given the record low voter turn-out last November, I have to suspect that at least some people would.
Maybe the assumption here is that by not paying taxes, they have no real stake in the U.S., and therefore shouldn't get to vote. There are of course a couple troubling things with that statement: for starters, it implies that those who don't pay taxes don't count. That may seem like an uncontroversial statement to make for some folks, until one remembers how many people are too poor to pay taxes. Like me, for example; I'm actually getting a tax return for the first time since I returned to grad school.
Now, I'm sure there are those who sincerely believe that those who don't work shouldn't vote--but even bracketing off the severe problematics of that statement (does that mean an acceptable way to disenfranchise voters is to lay people off if you don't like how they vote? Now that's a patronage system--more reminiscent of a third-world republic--that I do not want to live in!), is the simple fact that I do work. In fact, I perform the single most essential service of the University: educating the actual students. Perhaps the real question is why, for doing such essential work, am I being paid too little to pay taxes?
But now I've already digressed too far from my original topic of Puerto Rico--which is also a common characteristic of most Puerto Rican discussions I've been in (although that perhaps also indicates that Puerto Rico is tied into far larger and relevant questions about America and our current economic system than we may realize). Because here's the other problem with the taxes-for-votes argument about the island: many Puerto Ricans do give to their country, in the form of U.S. military service. That is, they literally serve their country. "But military service is voluntary!" countered one of my students. Which is also a curious bit of logic: does that mean if you chose to serve in the military, then you definitely don't get to vote? I don't think anyone defends that.
I've increasingly begun to question whether the whole vote-or-taxes debate isn't just smoke and screens for the real problem here, one we've never let ourselves truly look in the eye: that U.S. citizens living on U.S. territory were never granted the right to vote in the first place.
For also curiously absent from the whole Puerto Rican question is an assumption of self-determinacy among Puerto Ricans: do they want to be a state or independent? They have voted several times about it, and have proven to be just as internally divided on that issue as the U.S. is about, well, just about everything else--but that still has not deprived us of the right to vote. Yet I think I can count on one hand the number of conversations I've had solely about Puerto Rican self-determination, not about the whole supposed votes-vs-taxes "trade-off," as though there should even be a trade-off. Many mainland Americans, on both the right and the left, seem to proceed off of the assumption that taxes and votes is a question of balance that we get to decide for Puerto Ricans, not let them decide for themselves.
One could here still counter that the whole problem here is that Puerto Rico as a whole still has not decided--as previously mentioned, they have voted numerous times on statehood vs. independence, and have been evenly divided. Again, bracketing off for now the fact that all of America is evenly divided and that still has not stopped us from voting, is the fact that perhaps allowing the territory to vote might in fact expedite the whole process; once P.R. stares down the barrel of full citizenship rights, with all duties and responsibilities therein pertaining, might be the moment when they finally choose for themselves if they even want to be part of this country in the first place.
Maybe they'll be happy to stay here after all; I would be the first to welcome them in (anything to shup up the ridiculous "English-only" nutjobs in this nation). And if they decided to get out, then I would be the first to recommend opening full diplomatic relationships with them. But while I use to wring my hands about Puerto Rican indecisiveness, I've come to realize that U.S. indecisiveness ain't exactly a non-factor in this equation, too; we've long blunted their voices, then are puzzled when they don't express theirs.
Friday, March 6, 2015
Star Trek primer
In honor of the late, great Leonard Nimoy, I hereby declare this Star Trek month.
There's an old Futurama bit wherein Fry tries to get Leonard Nimoy's disembodied head to admit he was on Star Trek. "You know? 1966? 79 episodes? About 30 good ones?"
Trust me, that joke is hilarious, because the ratio works; for at its best, Star Trek could transcend its cheap sets and hammy acting to deliver moments of true sublimity. But the rest of the time, it was just a "BAM!" and "POW!" away from rivaling the old Batman series in sheer campiness. Not that campiness is necessarily a bad thing, only that in Star Trek you often have to adjust your expectations episode to episode, sometimes even scene to scene.
Hence, your ability to enjoy the original series really depends upon your threshold tolerance for its peculiar blend of sublimity and goofiness. As such, I've curated a brief sample of about a dozen episodes as an introduction to Star Trek; if you find yourself digging the series after watching these, then you're probably in for a treat with the whole series. If not, well, I guess we'll just have to be friends for different reasons.
1. The Trouble With Tribbles
I once introduced the show to a classmate and self-proclaimed "sci-fi nerd" who had somehow never watched the series. She yawned through the first few episodes I showed, before she warmed up to this one. She told me that if I'd started her with this episode, she probably would have gotten into it much quicker. I see her point: every one here gets a hilarious character moment, the actors are all clearly having a ball, and there's a fun little who-dun-it. The episode takes itself just seriously enough to have stakes, but not so much that we forget to enjoy ourselves.
2. Space Seed
So whenever I try to get folks into the franchise, I without fail start them off with the incomparable Star Trek II: The Wrath of Khan--which is a sequel to this episode. Now, one does not need to see the original episode to enjoy the film--but the episode ain't half bad itself, and thus might serve as another good entry way into the series. (It's also the episode that Star Trek Into Darkness riffs upon).
3. Where No Man Has Gone Before
4. The Naked Time
A space virus infects the crew and makes everyone crazy! Sulu prances around with a sword quoting the Three Musketeers! An Irish crewmember sabotages engineering while singing about ice cream! Spock cries! If you like insane campiness, then have we got an episode for you!
5. The Menagerie
6. Balance of Terror
In what I'm tempted to call Hunt For Red October In Space, the Enterprise must hunt down a Russian--er, Romulan--commander whose submarine--er, starship--runs on an experimental cloaking device that could spark full-scale war!
7. Amok Time
I maintain that William Shatner, whatever his faults, was the perfect over-the-top actor for the swashbuckling Captain Kirk. Nevertheless, you'll get no argument from me that Spock is hands down the most interesting character--and this is all his episode. In what could have easily been a total nerd-wank, Leonard Nimoy elevates material about arranged marriages, family politics, and Vulcan mating season from high camp to high art. Also, you get to see Spock absolutely embarrass Kirk in hand-to-hand combat, and who doesn't want to see that?
8. Mirror, Mirror
Ever wondered why a goatee is how you know you're in the evil universe? You're welcome.
9. I, Mudd
No plot-summary could possibly capture the sheer lunacy of this episode. Suffice to say, if campy Star Trek is your favorite Star Trek, then this is your episode par excellence. Plus, you get to learn how to blow up a computer with "Everything I say is a lie!"
10. By Any Other Name
So what do you do when hyper-advanced aliens disguised in human form hijack your ship to fly back to the Andromeda galaxy? Well if you're Kirk, you mack on the cutest one till you save the day. Nuff said.
11. Metamorphoses
Just a poignant little love story between the long-lost inventor of warp drive and a being of pure energy. (As a bonus, you'll also better get the Futurama episode).
12. City on the Edge of Forever
Generally considered Star Trek's finest episode--although I've discovered that you really need to already be on the show's wavelength for it to fully affect you, and as such is not the one you should start with (and by corollary, if after a dozen episodes this one still doesn't get to you, then you should just call it quits). The best of the many time-travel episodes. Simply, if you had to sacrifice the woman you love to stop Hitler, would you? Pray you never find out--though Kirk does.
Which episodes would you use to introduce potential newbies?
(Just don't start with the Gorn. For Pete's sake!)
There's an old Futurama bit wherein Fry tries to get Leonard Nimoy's disembodied head to admit he was on Star Trek. "You know? 1966? 79 episodes? About 30 good ones?"
Trust me, that joke is hilarious, because the ratio works; for at its best, Star Trek could transcend its cheap sets and hammy acting to deliver moments of true sublimity. But the rest of the time, it was just a "BAM!" and "POW!" away from rivaling the old Batman series in sheer campiness. Not that campiness is necessarily a bad thing, only that in Star Trek you often have to adjust your expectations episode to episode, sometimes even scene to scene.
Hence, your ability to enjoy the original series really depends upon your threshold tolerance for its peculiar blend of sublimity and goofiness. As such, I've curated a brief sample of about a dozen episodes as an introduction to Star Trek; if you find yourself digging the series after watching these, then you're probably in for a treat with the whole series. If not, well, I guess we'll just have to be friends for different reasons.
1. The Trouble With Tribbles
I once introduced the show to a classmate and self-proclaimed "sci-fi nerd" who had somehow never watched the series. She yawned through the first few episodes I showed, before she warmed up to this one. She told me that if I'd started her with this episode, she probably would have gotten into it much quicker. I see her point: every one here gets a hilarious character moment, the actors are all clearly having a ball, and there's a fun little who-dun-it. The episode takes itself just seriously enough to have stakes, but not so much that we forget to enjoy ourselves.
2. Space Seed
So whenever I try to get folks into the franchise, I without fail start them off with the incomparable Star Trek II: The Wrath of Khan--which is a sequel to this episode. Now, one does not need to see the original episode to enjoy the film--but the episode ain't half bad itself, and thus might serve as another good entry way into the series. (It's also the episode that Star Trek Into Darkness riffs upon).
3. Where No Man Has Gone Before
Surely someone has written a paper by now about Star Trek's weird preoccupation with god-like beings (arguably every other episode is either a god-like being, time-travel, or an alternate earth--probably to save money on sets). Yet before the series quickly beat its own trope to death, this early episode did it first and did it best, as a mysterious phenomenon at the edge of the galaxy randomly endows a pair of crew-members with god-like abilities. More intriguingly, this show, so famed for its utopic faith in humanity, opens with someone quickly corrupted by his new found powers. The series complicates its own positivism before it even has a chance to establish it.
4. The Naked Time
A space virus infects the crew and makes everyone crazy! Sulu prances around with a sword quoting the Three Musketeers! An Irish crewmember sabotages engineering while singing about ice cream! Spock cries! If you like insane campiness, then have we got an episode for you!
5. The Menagerie
An earlier pilot of the show--featuring a Captain Pike--had been shot and rejected by Paramount. It was consequently cannibalized for the show's sole 2-parter, where in flashbacks Spock must explain to a tribunal why he hijacked the Enterprise to transport his former captain (the now-wheelchair-bound Pike) to a forbidden planet. Despite the obviously stitched-together nature of the episode, it manages to provoke some legitimately haunting questions about whether reality really is preferable to fantasy--and has a crackerjack twist-ending to boot. "Captain Pike has an illusion, and you have reality. May you find your way as pleasant."
6. Balance of Terror
In what I'm tempted to call Hunt For Red October In Space, the Enterprise must hunt down a Russian--er, Romulan--commander whose submarine--er, starship--runs on an experimental cloaking device that could spark full-scale war!
7. Amok Time
I maintain that William Shatner, whatever his faults, was the perfect over-the-top actor for the swashbuckling Captain Kirk. Nevertheless, you'll get no argument from me that Spock is hands down the most interesting character--and this is all his episode. In what could have easily been a total nerd-wank, Leonard Nimoy elevates material about arranged marriages, family politics, and Vulcan mating season from high camp to high art. Also, you get to see Spock absolutely embarrass Kirk in hand-to-hand combat, and who doesn't want to see that?
8. Mirror, Mirror
Ever wondered why a goatee is how you know you're in the evil universe? You're welcome.
9. I, Mudd
No plot-summary could possibly capture the sheer lunacy of this episode. Suffice to say, if campy Star Trek is your favorite Star Trek, then this is your episode par excellence. Plus, you get to learn how to blow up a computer with "Everything I say is a lie!"
10. By Any Other Name
So what do you do when hyper-advanced aliens disguised in human form hijack your ship to fly back to the Andromeda galaxy? Well if you're Kirk, you mack on the cutest one till you save the day. Nuff said.
11. Metamorphoses
Just a poignant little love story between the long-lost inventor of warp drive and a being of pure energy. (As a bonus, you'll also better get the Futurama episode).
12. City on the Edge of Forever
Generally considered Star Trek's finest episode--although I've discovered that you really need to already be on the show's wavelength for it to fully affect you, and as such is not the one you should start with (and by corollary, if after a dozen episodes this one still doesn't get to you, then you should just call it quits). The best of the many time-travel episodes. Simply, if you had to sacrifice the woman you love to stop Hitler, would you? Pray you never find out--though Kirk does.
Which episodes would you use to introduce potential newbies?
(Just don't start with the Gorn. For Pete's sake!)
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